kateoplis:

I try to just make what I want to make or what I would want to see. I try not to think about the audience too much. … There are always things that I wish were different, or I feel like I’ve made mistakes. But it’s just part of it. I don’t mind that it’s a little homemade. It doesn’t have to be perfect.

Sofia

Making some toast. Mmm…

beta curea turned 3 today!

(Source: assets)

subtilitas:

Kengo KumaYusuhara Wooden Bridge Museum, Takaoka-gun 2010. Photos (C) Takumi Ota.

kateoplis:

Peter Zumthor’s Home Studio

ryanpanos:

Black Pearl by Zecc

The renovation of the Rotterdam ‘metier house’ is turned into an architectural spectacle, where was experimented with time and space. The 100 years old facade of a dwelling in a closed housing unit, is totally painted black. Both masonry, frames and “windows” are covered with a shiny black oil. This creates a kind of ‘shadow’ of the original facade. In some places the new transparent windows pierce through the historical facade. The new windows announce a time with a very different way of living. This creates a relationship between the original facade and the new interpretation which become readable. All floors and small rooms behind the old windows run into one spatially contiguous entity.

subtilitas:

James Benning - Two Cabins, a project in which the artist “reconstructed Henry David Thoreau and Ted Kaczynski’s iconic cabins and used these structures to reflect on utopian and dystopian versions of social isolation and relationships between wilderness and unbridled techno-industrial development.” Via.

subtilitas:

John Divola - Isolated Houses series, 1995-1998.